Eric Myers Jazz

work in progress

 

JOHN CLARE

This section is dedicated to the work of John Clare, widely regarded as the doyen of Australian jazz writers. Helen Garner, in her preface to Clare's book Take Me Higher, describes his writing as "superbly literate and articulate, deeply informed, yet completely ordinary in tone, even at their most elated". This section collects some of John Clare's articles published previously, and some original contributions.

 
 Don Burrows & James Morrison

Don Burrows & James Morrison

BURROWS AND MORRISON: A RETROSPECTIVE ON A GREAT JAZZ PARTNERSHIP

John Clare reviews two CDs

Music Trust website, June 2, 2017

When I returned to Sydney from Melbourne at the end of the 1950s Don Burrows was for me the personification of Sydney. Born at Bondi, he was athletic, good looking, confident, a beach lover, cheerful and clean cut. He played members of the flute and saxophone family with exemplary facility, fluency and precision. He was right, energised and never short of a note or well turned phrase in his solos…

 Allan Browne

Allan Browne

LOST IN THE STARS: INTERPRETATIONS OF THE ZODIAC SUITES OF MARY LOU WILLIAMS AND KARLHEINZ STOCKHAUSEN (JAZZHEAD HEAD168)

John Clare reviews an album from the Allan Browne Trio 

Australianjazz.net, Thursday, November 28, 2013

Mary Lou Williams was almost certainly the first major female jazz piano stylist. She also wrote accomplished arrangements for Benny Goodman and Andy Kirk (and His Clouds Of Joy), amongst others.  Karlheinz Stockhausen was one of the first to move in a new modernist direction related to ‘serial music’ (in turn a highly systematised approach to atonality)…

 

 

 Louis Burdett

Louis Burdett

BEYOND THE BASEMENT: A GUIDE TO SYDNEY’S JAZZ

by Gail Brennan/John Clare

Sydney Morning Herald, May 14, 1993

Surfing Simon has a positively luminous masculine beauty. He arrives on his skateboard, in a skirt and with his fingernails painted deep red. Two of his girlfriends are waiting for him. At the bar are some skinhead friends of drummer Louis Burdett. A publicist, not a regular at this venue, looks around suspiciously. "Jazz fans don't seem to have any one style," she complains. I reply testily: "That's why I like it"...